D is an Indian crime drama and thriller film, directed by Vishram Sawant, co-written by Manish Gupta, and Ram Gopal Varma. Produced by Ram Gopal Varma, and Ronnie Screwvala. It was released in India on 3 June 2005. The third film in the Gangster (film series). The film is a sequel to Varma's 2002 film Company. Like its predecessor, D is based on the real-life Mumbai underworld organization, the D-Company. The three Varma films Satya, Company and D are together considered an Indian Gangster Trilogy, comparable to the Godfather Trilogy or Infernal Affairs trilogy.
Deshu (Randeep Hooda) is a mechanic in Dubai, who has come home after his mother's death. His father is a dry, gruff police constable. Deshu unwittingly becomes a witness to a murder, when Mangli Bhai's goons chase a man, burst into his chawl, and proceed to kill the man right there. Roughened up by the police to act as a witness, and threatened by the goons to not do so, Deshu keeps his mouth shut. Later, he joins a rival gang (Hashim Bhai's), and proceeds to kill Mangli. Little by little, with his bravery and intelligence he manages to become Bhai's right-hand man, much to the dismay of his two sons, Muqarram and Shabbir.
4D film or 4-D film is a marketing term for an entertainment presentation system combining a 3D film with physical effects that occur in the theatre in synchronization with the film. Effects simulated in a 4D film may include rain, wind, strobe lights, and vibration. Seats in 4D venues may vibrate or move a few inches during the presentations. Other common chair effects include air jets, water sprays, and leg and back ticklers. Hall effects may include smoke, rain, lightning, air bubbles, and smell.
Because physical effects can be expensive to install, 4D films are most often presented in custom-built theatres at special venues such as theme parks and amusement parks. However, some movie theatres have the ability to present 4D versions of wide-release 3D films. The films Journey to the Center of the Earth (2008) and Avatar (2009) are among the films that have received a 4D treatment in certain theatres.
There is no consistent standard for using the term "4D" when describing the presentation of a film. 4D films have also occasionally been marketed as 5D, 6D, 7D, 8D, 9D, 11D, 15D and so on in order to emphasize the variety or uniqueness of their theatre effects. This is scientifically different from actual fourth dimensional space. Notable formats for providing different aspects of a "fourth dimension" to films include Human 4D, Sensurround, Smell-O-Vision and 4DX. As of June 2015, about 530 screens worldwide have installed the technology.
A three-dimensional stereoscopic film (also known as three-dimensional film, 3D film or S3D film) is a motion picture that enhances the illusion of depth perception, hence adding a third dimension. The most common approach to the production of 3D films is derived from stereoscopic photography. In it, a regular motion picture camera system is used to record the images as seen from two perspectives (or computer-generated imagery generates the two perspectives in post-production), and special projection hardware and/or eyewear are used to provide the illusion of depth when viewing the film. Some methods of producing 3D films do not require the use of two images. 3D films are not limited to feature film theatrical releases; television broadcasts and direct-to-video films have also incorporated similar methods, especially since the advent of 3D television and Blu-ray 3D.
3D films have existed in some form since 1915, but had been largely relegated to a niche in the motion picture industry because of the costly hardware and processes required to produce and display a 3D film, and the lack of a standardized format for all segments of the entertainment business. Nonetheless, 3D films were prominently featured in the 1950s in American cinema, and later experienced a worldwide resurgence in the 1980s and 1990s driven by IMAX high-end theaters and Disney themed-venues. 3D films became more and more successful throughout the 2000s, culminating in the unprecedented success of 3D presentations of Avatar in December 2009 and January 2010.
Désormais, on ne nous verra plus ensemble
Désormais, mon coeur vivra sous les décombres
De ce monde qui nous ressemble
Et que le temps a dévasté
Désormais, ma voix ne dira plus je t'aime
Désormais, moi qui voulais être ton ombre
Je serai l'ombre de moi-même
Ma main de ta main séparée
Jamais plus
Nous ne mordrons aux mêmes fruits
Ne dormirons au même lit
Ne referons les mêmes gestes
Jamais plus
Ne connaîtrons la même peur,
De voir s'enfuir notre bonheur,
Et du reste
Désormais
Désormais, les gens nous verrons l'un sans l'autre
Désormais, nous changerons nos habitudes
Et ces mots que l'on croyait nôtres
Tu les diras dans d'autres bras
Désormais, je garderai ma porte close
Désormais, enfermé dans ma solitude,
Je traînerai parmi les choses
Qui parleront toujours de toi
Jamais plus
Nous ne mordrons aux mêmes fruits
Ne dormirons au même lit
Ne referons les mêmes gestes
Jamais plus
Ne connaîtrons la même peur,
De voir s'enfuir notre bonheur,
Et du reste
Désormais
On ne nous verra plus ensemble
On ne nous verra plus ensemble
On ne nous verra plus ensemble